Miriam emphasises that her tattoo technique has its origins in textiles; for her, one discipline cannot exist without the other. Her work reimagines the traditional woodblock, giving it a new purpose and voice.
The textile, in almost every civilization, protects, tells stories, and connects. It is a living surface where matter and the symbolic, identity and environment, time and memory are intertwined.
In both disciplines, each piece is a continuation of the same gesture: printing, marking, recording narratives.
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